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Joe and Mark are joined by the famed cyberpunk author Bruce Sterling, from his studio in Torino (Turin), Italy.
Bruce describes himself as is a ‘diaspora kid’ and currently splits his time living in Austin, Belgrade, Torino and Ibiza.
“I don’t like doing the same thing over. So, I don’t write trilogies or sequels. I’m writing a lot of short fiction. I do some lecturing and consulting. I’m also the art director of an arts festival here in Turin, which is called Share Festival.”
The Share Festival is a technology arts festival in Turin, one of the most heavily visited cities in Italy.
One of their projects is to re-create a working model of The Versifier, which was originally a 1959 short story by Primo Levi. In the story, a poet is offered the chance to produce more poetry faster with a machine AI. “Then in 1971 it became an episode on an Italian TV,” Bruce says.
“It’s probably the most prophetic object that Italian science fiction has every produced.”
They are assembling a polystyrene model which is the first step to creating a working replica.
In the story, The Versifier is cybernetic object at the center of a story about how the human experience is altered by computer and AI.
What follows is a deep and fascinating conversation that also digs into the work of kinetic sculptor Alexander Calder, AI technology and the human need to create art.
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Bruce Sterling, author, journalist, editor, and critic, was born in 1954. Best known for his ten science fiction novels, he also writes short stories, book reviews, design criticism, opinion columns, and introductions for books ranging from Ernst Juenger to Jules Verne.
He won Hugo Awards for his novelettes “Bicycle Repairman” (1996) and “Taklamakan” (1998). In 2000 he won the Arthur C. Clarke Award winner for the novel Distraction.
His nonfiction works include THE HACKER CRACKDOWN: LAW AND DISORDER ON THE ELECTRONIC FRONTIER (1992), TOMORROW NOW: ENVISIONING THE NEXT FIFTY YEARS (2003), and SHAPING THINGS (2005).
He is a contributing editor of WIRED magazine and writes a weblog. During 2005, he was the “Visionary in Residence” at Art Center College of Design in Pasadena. In 2008 he was the Guest Curator for the Share Festival of Digital Art and Culture in Torino, Italy, and the Visionary in Residence at the Sandberg Instituut in Amsterdam. In 2011 he returned to Art Center as “Visionary in Residence” to run a special project on Augmented Reality.
As mentioned in the podcast, he’s currently the artistic director at the Share Festival in Turin. Visit the Share Festival website to see their work.
And check out Robot Artists and Black Swans, one of the books we mentioned in the podcast, here.
You can read Bruce’s essay about Utopian Realism here.
And if you’re Italian is good enough, you may want to watch the 1971 show about The Versifier:
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